The natural stone walls that were carefully revealed and the burnt wooden floor with its marks intact, place us in a time lost in the depths of history, where the workers and residents of these rooms would accompany prostitutes to their beds. The remnants of plasters on the ceilings, like bodies scraped by the patina of time, turn the space into a theatrical setting in full swing along with the industrial partitions that discreetly divide the sleeping and sanitary space. The rectangular kitchens made of black matte melamine nostalgically take you back to the ’70s and ’80s. The handles are made of concrete in a wave breaker shape. The bed has simple lines, made of iron, which in turn refers to the decor of industrial buildings with a subtle hint of the sky. A reference to the beds that the urban refugees from Asia Minor had. A pick-up furniture piece at the edge invites you to put something on to listen to, while drinking vermouth and gazing at the stars in the Danish armchair with its ’60s side table. Nightstands of different shapes and eras, processed or not. Chamber 1 looks out to the road of harbor, cultivating a cinematic atmosphere.